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Poignant Jumbo Wild Documentary Examines True Value of Wilderness

A film documenting a battle that has stretched over almost a quarter century, pitting communities and environmental groups in B.C’s Kootenays against supporters of a proposed wilderness ski resort, is showing to sold-out audiences across North America.

The stunning scenery of the Purcell Mountains, iconic historical clips and the even-handed exploration of a clash between two visions of wilderness make Jumbo Wild an extraordinary documentary that transcends local issues and delves into the ideological battle between those who want to keep the wild in wilderness and those who believe development gives people access to nature.

“We saw sold-out shows at almost all the stops along the way and that’s because the bigger questions being addressed about how we define wilderness and what makes a place sacred are important to people around the world,” said Tess Byers, spokeswoman for Patagonia, the outdoor clothing company that funded and promoted the Sweetgrass Productions film, directed by Nick Waggoner of Salt Lake City.

In Victoria, where the film was first shown to a sold-out audience in October, a planned Dec. 10 free screening at Patagonia on Yates Street sold out immediately and there is the possibility of a second showing in January (you can add your name to the waitlist here).

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Jumbo Wild will also be available on iTunes, Vimeo, Amazon, GooglePlay, Vudu and Playstation on Dec. 11 and will be available in February on Netflix and Hulu. Showings also continue across North America and individuals can host their own screening for $99. All proceeds will go to Wildsight, a group that has fought the Jumbo Glacier Resort proposal since its inception.

The film is now being seen around the world and inspiring audiences to take action, not only on protection of the Jumbo Valley, but also in their own backyards, said Robyn Duncan, executive director of Wildsight.

The saga of the Jumbo Wild campaign is a story of love for wild places, a community coming together to successfully oppose a development they do not want and the story of the Ktunaxa Nation standing their ground to protect their sacred territory, Duncan said.

“The film resonates with people on a deeper level, cutting to the deeper questions of what is wilderness and what are we, as a society, willing to do to protect the wild,” she said.

Patagonia Funding of Doc Rankles Oberto Oberti

However, the Patagonia funding created a controversy of its own, raising questions about bias, especially as the company has supported Wildsight’s fight against Jumbo Glacier Resort and is now advocating for the remote Jumbo Valley to be protected.

But director Waggoner was determined to do justice to all sides of the argument, Byers said.

“While Patagonia’s pro-conservation stance has been no secret for several years, Nick Waggoner made this film and he approached it as a documentary endeavour in every way,” Byers said.

“He gave significant credence to the developers’ arguments during research, production and in the final film that frankly outweighs the balance present in many modern social documentaries.”

That was not the view of Oberto Oberti, the architect who first envisioned the mega-resort in the Jumbo Valley and who has been battling ever since to make his dream a reality.

Waggoner spent a considerable amount of time with Oberti and Glacier Resorts vice-president Grant Costello while making the film, but did not immediately disclose who was funding the project.

“It may be offensive to Canadians (and to justice) to see that a movie made by an American and as an advertising project for a foreign company like Patagonia is made to reverse the CORE land use decision (the legal, political, democratic and moral foundation of the two decades of process for the Jumbo Glacier Resort project) when both sides of the story are not given equal weight,” Oberti wrote in an open letter to Waggoner after being informed about Patagonia’s involvement.

But the film takes a remarkably balanced stance, showing Oberti, not as an evil developer riding roughshod over local wishes, but as a man who believes in his mission and in the ultimate good of building a resort that will allow others to experience the beauty of the area.

“Are you proposing to Patagonia the idea that to keep the JGR territory for exclusive use of wealthy heliskiers and for snowmobilers is a better use?” Oberti asks in the letter.

One of the most telling segments of the film is when Oberti, who was born in Italy, says “creating a mountain resort and access to the mountains is like creating a cathedral” and describes the soaring peaks and glaciers as the “Alps multiplied by 1,000 times.”

For many opposed to the plan for a billion-dollar, 6,300 bed resort, the commercialisation of the Alps is exactly what they want to avoid.

“My church is up there. You can’t get any closer to God can you?” asks Nolan Rad, who has spent almost seven decades hunting, trapping and fishing in the area.

The ultimate opposing viewpoint to Oberti’s vision comes from Joe Pierre of the Ktunaxa First Nation, who regard the area as sacred.

“He’s come here to build a monument to himself. Talk about being offensive to a world view that for 400 generations have never even considered that. It’s hard to take,” Pierre said in the film.

A rare nod to the animosity created by the proposed development comes from Grant Costello.

The opponents don’t believe humans should be allowed to change the environment, he explained.

“I don’t want to lose to these people. That’s what it really comes down to,” he said.

However, for Glacier Resorts and Oberti, the lengthy battle was all but lost in June when Environment Minister Mary Polak decided the project had not substantially started before its environmental certificate expired.

To continue would mean starting the environmental assessment process from scratch.

But Oberti is not ready to give up and is planning a smaller development that would avoid the need for a full environmental assessment.

Tommaso Oberti, Pheidias Group vice-president, said in an e-mail to DeSmog Canada that the company is working on a revised master plan.

“It won’t look very different. It will just be a smaller development. I don’t know yet what the timelines will be,” said Tommaso Oberti, who has not watched the film.

“But I understand there is some beautiful scenery (in the film),” he said.

So, the battle for the wilderness is not yet over and, whether or not skirmishes will continue in the peaks and glaciers that surround the Jumbo Valley, the film documenting the fight is now inspiring communities around the world.

Image: Howard P Smith, First Light on Jumbo.

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Hey there keener,
Thanks for being an avid reader of our in-depth journalism, which is read by millions and made possible thanks to more than 4,200 readers just like you.

The Narwhal's growing team is hitting the ground running in 2022 to tell stories about the natural world that go beyond doom-and-gloom headlines — and we need your support.

Our model of independent, non-profit journalism means we can pour resources into doing the kind of environmental reporting you won’t find anywhere else in Canada, from investigations that hold elected officials accountable to deep dives showcasing the real people enacting real climate solutions.

There’s no advertising or paywall on our website (we believe our stories should be free for all to read), which means we count on our readers to give whatever they can afford each month to keep The Narwhal’s lights on.

The amazing thing? Our faith is being rewarded. We hired seven new staff over the past year and won a boatload of awards for our features, our photography and our investigative reporting.

With your help, we’ll be able to do so much more in 2022. If you believe in the power of independent journalism, join our pod by becoming a Narwhal today. (P.S. Did you know we’re able to issue charitable tax receipts?)

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