manitoba-hydro-the-narwhal-Aaron-Vincent-Elkaim
Photo: Aaron Vincent Elkaim / The Narwhal

The Narwhal picks up 10 Digital Publishing Awards nominations, dominating photojournalism field

The double-digit DPA nods once again put The Narwhal in competition with the heavyweights of Canada’s journalism industry for most selections

The Narwhal’s awards-season recognition keeps on rolling.

We’re thrilled to be nominated for 10 Digital Publishing Awards, including a finalist selection for general excellence and a jaw-dropping three nods for best photo storytelling — a standout achievement that drew praise for having “dominated” the visual journalism category.

The Narwhal’s coverage of last year’s Wet’suwet’en standoff was honoured with nominations for both best news coverage and best photo storytelling just a week after picking up a nod from the Canadian Association of Journalists. 

The Wet’suwet’en crisis hit a breaking point in February 2020 when RCMP officers arrested matriarchs in the heart of the nation’s territory. Photographer Amber Bracken was on the ground for The Narwhal documenting the situation as it unfolded, collaborating with editors and reporters to put out original stories that drew nationwide attention.

Managing editor Carol Linnitt said seeing this kind of work get recognized is a validation of a long-standing commitment to high-quality, compelling journalism about the natural world.

“The Narwhal was launched to reignite the public’s interest in environmental issues and also to defend the public’s interest when it comes to holding the most powerful forces in our society to account,” Linnitt said. “Our team has proven that telling some of the biggest, most important and most difficult stories of our time can be done in beautiful, award-worthy ways.”

The 10 selections put The Narwhal in exclusive company, behind only CBC, Radio-Canada and The Globe and Mail in number of nominations. It’s a similar story to last week, when the Canadian Association of Journalists gave our publication — with just eight editorial staff — nine award nominations.

“One of the most rewarding aspects of these award nominations is knowing The Narwhal is one of the country’s fastest growing publications thanks to so many generous readers who make our work possible,” Linnitt said, pointing to the more than 3,100 members who support us by donating whatever they can afford each month.

“These nominations prove that reader-funded journalism not only works, but is a foundation for excellence in our sector. All of us at The Narwhal are delighted that we share these nominations with our monthly members.”

The DPA nomination for general excellence in digital publishing is a recognition of The Narwhal’s journalistic standards and efforts to effectively serve its audience. The numbers tell the story: in 2020, our website audience grew by 65 per cent, our newsletter audience grew by 127 per cent, our paying membership grew by 129 per cent and our Instagram following grew by more than 100 per cent. 

In addition to the Wet’suwet’en coverage, two other stories earned finalist nods in the photo storytelling category: an exploration of the impacts of Manitoba Hydro projects on Indigenous communities by Aaron Vincent Elkaim and a feature spotlighting the individuals working to save Canada’s native grasslands with photos by Amber Bracken.

The grasslands story was one part of our ongoing series on nature-based solutions to the climate crisis. The Carbon Cache series picked up a nomination for best digital editorial package.

Api'soomaahka, William Singer,
Api’soomaahka, William Singer, lies near some aohtoksooki, or common yarrow, on the Kainai Blood Tribe reserve near Stand Off, Alta. This photo is part of a feature story nominated for best photo storytelling with the Digital Publishing Awards. Photo: Amber Bracken / The Narwhal

Hilary Beaumont’s piece on a cross-border battle against cancer in Ontario’s rust belt, a collaboration with Environmental Health News, was nominated for best feature article (long).

Sarah Cox’s feature on B.C.’s looming extinction crisis — amid a failure to enact standalone endangered species legislation — was nominated for best science and technology storytelling.

The Narwhal’s relentless coverage of hydro issues in B.C. was recognized in the best online video feature category for an examination of what happens when fracking and hydro dams collide.

The Narwhal’s newsletter, which reaches more than 48,000 people each week, was nominated for best editorial newsletter.

The wide range of selections underscore the breadth of The Narwhal’s coverage and a desire to tell complicated stories in compelling ways.

“We know there are a lot of difficult stories out there about the environment. It’s understandable people would want to simply tune the bad news out,” Linnitt said. “Our goal at The Narwhal is to bring these stories to the public in a way that highlights our shared humanity and the importance of what’s at stake when it comes to the great ecological challenges we face in society.”

Like a kid in a candy store
When those boxes of heavily redacted documents start to pile in, reporters at The Narwhal waste no time in looking for kernels of news that matter the most. Just ask our Prairies reporter Drew Anderson, who gleefully scanned through freedom of information files like a kid in a candy store, leading to pretty damning revelations in Alberta. Long story short: the government wasn’t being forthright when it claimed its pause on new renewable energy projects wasn’t political. Just like that, our small team was again leading the charge on a pretty big story

In an oil-rich province like Alberta, that kind of reporting is crucial. But look at our investigative work on TC Energy’s Coastal GasLink pipeline to the west, or our Greenbelt reporting out in Ontario. They all highlight one thing: those with power over our shared natural world don’t want you to know how — or why — they call the shots. And we try to disrupt that.

Our journalism is powered by people just like you. We never take corporate ad dollars, or put this public-interest information behind a paywall. Will you join the pod of Narwhals that make a difference by helping us uncover some of the most important stories of our time?
Like a kid in a candy store
When those boxes of heavily redacted documents start to pile in, reporters at The Narwhal waste no time in looking for kernels of news that matter the most. Just ask our Prairies reporter Drew Anderson, who gleefully scanned through freedom of information files like a kid in a candy store, leading to pretty damning revelations in Alberta. Long story short: the government wasn’t being forthright when it claimed its pause on new renewable energy projects wasn’t political. Just like that, our small team was again leading the charge on a pretty big story

In an oil-rich province like Alberta, that kind of reporting is crucial. But look at our investigative work on TC Energy’s Coastal GasLink pipeline to the west, or our Greenbelt reporting out in Ontario. They all highlight one thing: those with power over our shared natural world don’t want you to know how — or why — they call the shots. And we try to disrupt that.

Our journalism is powered by people just like you. We never take corporate ad dollars, or put this public-interest information behind a paywall. Will you join the pod of Narwhals that make a difference by helping us uncover some of the most important stories of our time?

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