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Wind energy? These rural Albertans aren’t buying it

Some neighbours of a proposed wind farm development say they felt powerless in negotiations with the company. Here’s why we think that matters
The winds of change
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Before we get to this week’s newsletter, we wanted to share a little update on our Black Friday toque offer: 110 of you have already made the leap to become members of The Narwhal!

Here’s what some of our newest members had to say:

The Narwhal is the first place I tell people to go to when they are looking for quality journalism.

You are like an endangered species that we need to care for because it enhances our lives. 


We’re now just 190 members away from reaching our target for 2024. What do you say? Become a Narwhal by midnight on Friday — for any amount you can afford — and we’ll send you a toque to say thanks!
 
Yes, I’ll swim against the consumer current

Now, onto this week’s newsletter …
 
Several wind farms and two oil pump jacks sit in a golden prairie field

It’s no secret we’re facing an ever-increasing demand for electricity. How do we scratch that itch?

Well, for one, we’re turning to rural and remote communities.

And whether those projects go ahead often relies — at least in part — on community buy-in. 

But that’s not always easy.

Prairies reporter Drew Anderson has been speaking to farmers and landowners in rural Alberta who live next to a proposed development to build wind turbines as tall as the Calgary Tower. Some are definitely not buying in.

They have myriad concerns — impacts on the views, risks, whether it’s all worth it and why rural communities bear the burden while urban communities reap the rewards.

“The idea that if urbanites want clean energy, they can build it in their cities was raised often,” Drew says of his trips to Kneehill County, Alta., to meet with concerned residents.

But some landowners also allege they were approached with a deceptive and coercive pitch from representatives of the wind farm: there’s money to be made, your neighbours have all signed up, you’re going to be left behind. The company denies the allegations, but in a province where the rules for renewables are ever changing — and very different from those governing oil and gas wells — landowners are left to sort these things out alone. 

And in the case of wind turbines, they have the power to reject them (not so if a company wants to drill an oil and gas well on your land in Alberta).
 
A sign at the edge of a field reads, stop the spin, say no to wind
🔗 Some landowners in rural Alberta don’t trust wind companies, alleging aggressive tactics

We think it’s just as important to listen to the voices opposing new projects as it is to listen to those for them — especially when there’s the potential to reach beyond echo chambers.

“Nothing is ever perfect and everyone has a bias,” Drew says. “Ignoring conversations that challenge our assumptions prevents finding the best possible solutions, no matter the situation.”

Speaking of clean electricity, earlier this fall photographer Tim Smith and reporter Julia-Simone Rutgers travelled to northern Manitoba, home to the source of much of the province’s electricity generation. The duo recently published a stunning photo essay from that trip. It’s a bird’s-eye view of the massive hydro-electric dams that feed Manitoba’s ever-growing thirst for power, and the power lines that travel down swaths as wide as 50 highway lanes to get to the province’s urban centres. Go here for a dizzying view.

It all adds up to an up-close look at electricity generation on the Prairies — something us city dwellers (i.e. more than 80 per cent of us) might not see otherwise.

Take care and may the wind be at your back,

Sharon Riley
Prairies bureau chief
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An eye for design


Earlier this year, The Narwhal announced its first art and design fellowship for creatives who are Black, Indigenous or people of colour — our effort to create opportunity in a field not known for its diversity. We’re absolutely thrilled that Kevin Ilango agreed to a three-month stint in our pod. If you’ve been following along, it’s likely you’ve already seen some of the ways Kevin has elevated our journalism with his artistic talent and keen eye for design

A career in art wasn’t obvious for Kevin, born into an army family. “Yet, from drawing pictures to braiding hair to writing a 250-page profanity-laden fan-follow-up to Pulp Fiction when I was 12, my folks were always encouraging me to be creative,” Kevin says.

Check out our Q&A with Kevin to learn a little more about the winding, global path that brought him to our pod.


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This week in The Narwhal

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By Emma McIntosh
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